About choice, into the placement, the contrast, in what’s shown and what’s concealed, in fullness and emptiness …
Leaving the edges and borders to get INSIDE the subject!
An edge, a corner, an angle, or the skilfully studied central space.
Choppy/offbeat graphics, and deliberate asymmetry.
A play on fullness and emptiness,
or concealing, the better to reveal.
A certain idea of deliberate decisions, with offhanded frankness.
A notion of extremity in choosing black for impact, as a frame, to underscore the message and the colour.
A PLAY ON PLANES
Choosing to show just one part, a section.
Discovering elements in the background / writing and painting on a multitude of planes.